aliceinwonderlandWell here we are, the first tent pole 3D film to follow Avatar.¬† Alice in Wonderland blasts into theaters this week and promises to keep your eyes busy with visual rape.¬† The trailers seem to sell you that this is Johnny Depp’s movie in his turn as the Mad Hatter.¬† I can’t say that I was unconvinced since his character is nearly as fleshed out as the titular Alice (Mia Wasikowska) but I have to admit that even with the many reservations I had for Wonderland, I still came away enjoying it.¬† I’m just not certain I actually liked it.

Let’s get down to brass tax here- the main reason anyone will be seeing this movie is because of the 3D or, as was the case for my screening, IMAX 3D.¬† For those of you that don’t know, the movie was not shot in 3D as it was rather converted to 3D in post-production.¬† Given the large amount of CGI that would be added after the fact, this wasn’t really that big of a deal.¬† Anyone that’s seen a computer animated 3D film in the last year will tell you that the 3D works.¬† And while that’s consistent for the most part here, there are a couple of things that stuck out.¬† Mainly that the 3D technique used for the beginning and ending bookends in the “real world” don’t look like anything special.¬† This is significant because I seem to recall a scene in a small room at the beginning of Avatar clearly looked unique due its dimensionality.¬† If this is the same conversion process being used for the upcoming Clash of the Titans, count me out.¬† Along those lines, can we stop throwing shit at the audience with 3D?¬† There are parts of Wonderland, especially when Alice falls down the rabbit hole, where you can hardly tell what’s going on because debris and such are flying in front of your face.¬† I guess kids will like that but it was just a little too much. Overall, I came away questioning why the movie was in 3D to begin with.¬† It actually might be easier to digest everything in a 2D presentation.¬† Good luck finding that though…

The story is old hat these days with virtually every piece of narrative borrowing something from the original 1865 Lewis Carroll novel.¬† But there a few things are added so I’ll go through the plot.¬† Alice is betrothed to a man she does not love.¬† He asks for her hand in marriage and she requests a moment of privacy.¬† She follows a rabbit to a hole and viola!¬† She’s in Wonderland.¬† Or Underland, as it’s referred to throughout the film.¬† From the moment she arrives, and perhaps this is a departure from the original material, she is told she’s not “the right Alice” and is continually thrust into situations that would apparently be a cake walk for her doppleganger.¬† She of course meets the Mad Hatter, who quickly explains how the evil Queen of Hearts (Helena Bonham Carter) earned her malicious title.¬† The Mad Hatter is then captured by the Queen’s guards and Alice is forced to look beyond deficiencies and save the day.¬† Anything more would be spoiler territory but you can likely glean where it heads from there.

So with that in mind, the one thing that really works for this movie is the pacing.¬† All 108 minutes flew by and there wasn’t any point where I was forced to check my watch.¬† I think some of that quickness sacrifices logic but when you’re in a dream world, such a thing is not your concern.¬† As soon as Alice drops into Wonderland, everything is at light speed until the end.¬† There are a few moments of downtime for character beats and such.¬† But for the most part, it’s just a lot of fun.¬† The variety of characters and effects certainly help reinforce this.¬† Not a single character has a similar color scheme or costume, save for the Queen’s army of course.¬† Hell, there are even two rabbits that are so completely at opposite ends of a spectrum; no one could mistake them for the same character.¬† I know I referred to it as visual rape in the opening, but if you’re bored during this movie, you’re dead.¬† Or you like Toby Keith.

A word of warning to anyone taking their children to seen this: there is some pretty heavy shit going on here.¬† There is an eye that gets gouged out in addition to a tiny sword being thrown into another eye.¬† There is lots of talk regarding beheading folk and we see the aftermath of several victims in a moat around the Queen’s castle.¬† Not to mention, a lot of these big scary monsters are flying at you.¬† There were several children at the screening I attended and none of them seemed too traumatized.¬† If you have a kiddo that’s a little on the wussy side, wait until How to Train Your Dragon comes out.

So upon reflection here, I liked it.¬† Didn’t love it, just liked it.¬† A couple things I failed to mention are a particularly bizarre dancing sequence by the Mad Hatter and the awful and unnecessary CGI body that Crispin Glover’s character uses.¬† But for a guy like me who kind of enjoyed Burton’s Charlies and the Chocolate Factory and Sweeney Todd but was ultimately disappointed with both, I can say that this one is better.¬† Call it a cautious recommendation, but check it out.¬† Just save the 3D money for another time.

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  • Zack_S

    i read right up to “…so I'll go through the plot.” another comment to be posted around midnight tonight. i'm so happy it's not terrible.

  • http://twitter.com/GeoffKnox Geoff Knox

    I really think that Tim Burton would be best suited as a production designer, rather than a producer/director. The look of his films is always amazing, but they just seem to lack depth. Haven't seen Alice yet, but based on this review, it sounds again like a Burton film that is “Cool idea- poor execution” which is a shame.

  • http://www.mediabreach.com Dustin

    You'd be pretty accurate in that description. It also has all of the usual “Burton-isms” – daddy issues, Elfman music, and Depp. It's not a complete waste, but it's not exactly mind blowing either.

  • Zack_S

    so we did imax3d last night, and i honestly don't know what all the fuss is about. i thought it was really good. the pacing was off a little early, but i actually dug the silly cg, and i like the girl who plays alice. it was fun. not only that, but while i don't think lewis carroll would have written that particular story about a teenage alice, it still felt fair to his ideas – a natrual progression for the character to follow. my only disappointment with the alice character was her seeming coldness – it works in the books because carroll always shows alice as thoughtful and trying to be logical in the illogical world; that's missing from this alice – she's got introspective faces, but she never clues us in on her thought process. still, chalk me up in the LIKED IT column

  • http://www.mediabreach.com Dustin

    Seems like most folks are mad about it being similar to Hook (sequel to a literary/Disney classic wherein the main character returns to a magical land but doesn't remember anything, forcing the protagonist to relearn everything). I see the resemblence, but I agree that it's not necessarily bad.

  • http://www.mediabreach.com Adam

    Even though this is a pretty positive review, I've already decided I'm not going to see this in a theater. Maybe I'm just burned out on Burton doing the same god damn thing to every property he touches. Maybe I'm just a grumpy motherfucker who needs to shut up and see it and stop being such an asshole. We'll see.

  • http://www.mediabreach.com Dustin

    You're good, dude. No need to rush out and see it.

  • James

    Late to the party but I saw this last night. I don't think my eyes have been so entertained while my brain was completely bored out of itself. Here's to hoping the flick about Malificent is meatier.

  • James

    Late to the party but I saw this last night. I don't think my eyes have been so entertained while my brain was completely bored out of itself. Here's to hoping the flick about Malificent is meatier.

   
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